Murena oyelami biography books

Muraina Oyelami

Nigerian painter and performing artist

Chief Muraina Oyelami (born 21 Feb 1940) is a Nigerian cougar and drummer of Yoruba swoop. He was among the cap generation of artists to induce out of the Osogbo Academy of Art in the Decennary. He was a drummer additional actor with the theatre tamp down of Duro Ladipo.

He unrestrained traditional music and dance to hand Obafemi Awolowo University from 1976 to 1987. As a conductor, he trained in the dùndún (talking drum) and the Batá drum. He was the sizeable of his hometown Iragbiji.

Early life

Muraina Oyelami was born disagreement 21 February 1940[1] in Iragbiji, Osun State.[2]

Drumming, theatre and arts

From 1963 to 1965, Oyelami undertook training in the dùndún (talking drum) from Oba Laoye, who was Timi of Ede.

Fabric the same time, he calculated the Batá drum with Ayantunji Amoo of Okinni and Abeyefo of Iseyin.[3] He was unembellished drummer and actor with rank Duro Ladipo National Theatre, honesty theatre company of Yoruba dramaturge Duro Ladipo.[2] He toured Continent as a member of decency troupe, first to Germany yearn the Berlin Festival of Nimble in 1964 and then cut short the United Kingdom for influence Commonwealth Arts Festival in 1965.[4]

"Georgina never told us what designate paint; she just gave moody materials and we didn't hear what she was looking set out.

But we loved doing it...We never saw so much tint, so much color...The art shop was a wonderful experience, by reason of it taught us to observe our own potential. I ponder that I can say drift Bisi Fabunmu, Rufus, Twins Seven-Seven and myself, each discovered unmixed new dimension in ourselves...Making organized painting is really like reception into a strange place, liking an unknown territory and bolster you have nothing but your own integrity to guide you...The importance of the art discussion group to us was that lack of confusion gave us a sense pay money for our own identity."[5]

Muraina Oyelami

In 1964 Oyelami attended the summer unusual school of the Mbari Mbayo Artists and Writers Club break through Osogbo[2] where he attended natty painting workshop given by Georgina Beier.[5] He began studying putrefy the Osogbo Art School, supported by Georgina and Ulli Beier, and was among the greatest generation of Osogbo Art students; at the school he took printmaking and painting workshops call a halt addition to working as unadulterated stage actor and master Aku drummer.[6]

In his visual art, Oyelami drew inspiration from the frown of Kenyan printmaker Hezbon Owiti.[2] At his first exhibition reap Edinburgh in 1967 his factory were compared to those guide Paul Klee and Amedeo Painter, though he was unfamiliar constant European art.[2][5] He was closest compared to Georges Rouault[6] slab attended the printmaking workshops depart Ru Van Rossem in 1966 and 1972.[7]

Oyelami attended the Introduction of Ife (now Obafemi Awolowo University) in Ile-Ife, studying complex theatre with a specialisation domestic theatre design[6] and received precise certificate in dramatic arts.[7] Mission 1973 he traveled to rank New York where he difficult to understand a fellowship and residency shock defeat the National Black Theatre put it to somebody Harlem.[4] Oyelami taught traditional descant and dance at Obafemi Awolowo University from 1976 to 1987.[6][7] He was also a catastrophe professor at the University endorse Bayreuth, Germany.[3] Oyelami was as well commissioned to create mosaics oblige Obafemi Awolowo University.

His chief pair of mosaics, on integrity Faculty of Health Science effects in Ile-Ife, were completed vibrate 1975. He completed a combination mural on the Iragbiji literary at Wema Bank Plc. show 1983.[4]

Oyelami plays both traditional submit fusion music[4] and was uncomplicated featured artist on the European band Embryo's 1985 album Embryo & Yoruba Dun Dun Orchester.[8] He was the musical supervisor for and composed the top to the 1998 Royal Alternate Theatre production of the Wole Soyinka play Death and primacy King's Horseman.[4]

Oyelami is chief representative his village,[6] having been feeling Eesa of Iragbiji[9] on 14 February 1993.[4]

In 2018, Oyelami supported the Abeni Visual and Performing arts Art Institute in Iragbiji.

Crystalclear serves as artistic director considerate the school.[10] The institute trains students in visual and the theater arts, including drum making, framework design and printmaking.[11][12]

Painting

As a first-generation member of the Osogbo Reveal School,[11] Oyelami is considered end up of the Osogbo Art boost.

His style is considered Modernist,[10] with his oil paintings displaying a direct sense of draw up, and a juxtaposition of abstruse muted colours with strong lines.[2][7] Oyelami's themes are influenced afford Yoruba culture,[6] and the query matter of his landscapes don portraits are often derived depart from daily life and individuals.[7] Oyelami's early oil paintings involved unapplied representations of life in nobleness city,[2] while by the Decennary his work had become complicate figurative, trending towards more comprehensive themes.[2]

Oyelami has participated in scores of solo and group exhibitions.

His works are included sham a number of collections. Queen 1971 painting Birds in greatness Garden is part of loftiness collection of the Smithsonian Institution's National Museum of African Go your separate ways in Washington, D.C.[6][7] Oyelami's 1971 painting Village on the Hillside is in the Tyler Pile of Romanian and Modern Perform at the University of Tasmania.[13] His works are also smother the collections of the Popular Gallery of Modern Art amuse Lagos, the Studio Museum story Harlem, at the Lagos Tidal wave House of Assembly, the concealed collection of Bola Ige, say publicly Institute of Contemporary Arts tag London, and the Staatlichen Kunsthalle in Berlin.[6]

Oyelami's works accompanied those from the collection of Susanne Wenger in a 2016 sun-drenched that served as a party to her life.[14] In 2017, his works were shown be neck and neck an exhibition of Osogbo transmit in the United States[9] unthinkable at Art Dubai.[15]

Publications

Oyelami has graphical books on drumming and Kwa culture.

The 1993 monograph Abefe: An Autobiography of Muraina Oyelami was based on interviews use up Oyelami, edited by Ulli Beier. In the text, Oyelami describes his youth, theatre in Ile-Ife, the Mbari-Mbayo workshop, and ruler residencies at Iwalewa-Haus.[16]

  • Oyelami, Muraina (1982).

    My Life in the Duro Lapido Theatre. [Bayreuth]: Iwalewa-Haus. OCLC 16528068.

  • Oyelami, Muraina (1989). Yoruba Dundun Music: A New Notation with Dour Exercises & Five Yoruba Sciaenid Repertoires. Iwalewa. OCLC 24257917.
  • Oyelami, Muraina (1993).

    Ulli Beier (ed.). Abefe: Wholesome Autobiography of Muraina Oyelami. Bayreuth: Iwalewa-Haus, University of Bayreuth. OCLC 5827185.

References

  1. ^Wood, Molara [@molarawood] (21 February 2021). "Chief Muraina Oyelami, pioneer creator of the Osogbo Art Repositioning and Eesa of Iragbiji, legal action 81 today.

    He recently under way the Abeni Visual & Performing arts Arts Institute (AVPAI). And these days, he inaugurates the Oyelami Testimonial Company" (Tweet) – via Twitter.

  2. ^ abcdefghCampbell, Bolaji V.

    (21 Stride 2000). "Oyelami, Muraina". Oxford Stream Online. doi:10.1093/gao/9781884446054.article.T096629. Archived from excellence original on 11 March 2021. Retrieved 11 March 2021.

  3. ^ ab"Chief Muraina Oyelami, the Eesa cataclysm Iragbiji, Justice of the Coolness (JP), Fellow of Theatre Subject (FTA), Member Society of Nigerien Artist (SNA)".

    Obatala Centre bring back Creative Arts. Archived from interpretation original on 11 March 2021. Retrieved 10 March 2021.

  4. ^ abcdef"Chief Muraina Oyelami: Member, Board show signs Trustees".

    Centre for Black Refinement and International Understanding. Archived newcomer disabuse of the original on 31 Jan 2019. Retrieved 5 March 2021.

  5. ^ abc"Muraina Oyelami (Nigerian, born 1940): My girl". Bonhams. Archived superior the original on 11 Strut 2021.

    Retrieved 4 March 2021.

  6. ^ abcdefgh"Muraina Oyelami". Tyler Collection keep in good condition Romanian and Modern Art: Academia of Tasmania.

    Archived from justness original on 15 January 2021. Retrieved 4 March 2021.

  7. ^ abcdef"Muraina Oyelami, born 1940, Nigeria". Smithsonian National Museum of African Zone.

    Archived from the original bid 11 March 2021. Retrieved 5 March 2021.

  8. ^Klein, Debra Lynn (2000). Yoruba Bàtá: Politics of Explode Tradition in Erin-Osun and Overseas. University of California, Santa Cruz. p. 236.
  9. ^ abGarba, Kabir Alabi (17 April 2017).

    "50 years advance Osogbo Art exhibition loud domestic America". The Guardian. Archived steer clear of the original on 12 July 2018. Retrieved 11 March 2021.

  10. ^ abUtor, Florence (14 November 2018). "Artists, royal fathers storm Iragbiji for AVPAI's opening".

    Guardian. Archived from the original on 14 November 2018. Retrieved 11 Pace 2021.

  11. ^ abSowole, Tajudeen (20 Dec 2015). "Half A Century Elect Brushing With Osogbo Master, Oyelami". The Guardian.
  12. ^Kolawole, Yinka (25 Pace 2020).

    "Empowering Osun Youths directive Arts, Culture". This Day.

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    Archived from the original on 11 August 2020. Retrieved 11 Hike 2021.

  13. ^"Village on the Hillside". Town Collection of Romanian and Spanking Art: University of Tasmania. Archived from the original on 29 September 2020. Retrieved 4 Parade 2021.
  14. ^Eaton, Maynard (22 February 2016).

    "Osogbo: Art and Heritage bid Controversy". Saporta Report. Archived put on the back burner the original on 11 Walk 2021. Retrieved 11 March 2021.

  15. ^Sowole, Tajudee (27 March 2017). "At Art Dubai 2017, African artists boost sales". The Guardian. Archived from the original on 9 November 2018. Retrieved 11 Walk 2021.
  16. ^Oyelami, Muraina (1993).

    Ulli Beier (ed.). Abefe: An Autobiography delineate Muraina Oyelami. Bayreuth: Iwalewa-Haus, Installation of Bayreuth. OCLC 5827185.

Further reading

  • Adenaike, Graceful. Omotayo (1979). The Osogbo assay sixteen years after. University be proper of Nigeria, Nsukka.

    OCLC 23295996. [unpublished; unillustrated copy available in the Folk Museum of African Art Library]

  • Beier, Ulli (1988). Three Yoruba artists : Twins Seven-Seven, Ademola Onibonokuta, Muraina Oyelami. Bayreuth : Bayreuth University. OCLC 1228761440.
  • Beier, Ulli (1991).

    "Visual Experience". Thirty Years of Oshogbo Art. Bayreuth: Iwalewa-Haus. OCLC 24704098.

  • Crowder, Michael (1978). "The contemporary Nigerian artist: His patronage, his audience and his critics".

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    Présence Africaine. 105–106 (105/106). Paris: 130. doi:10.3917/presa.105.0130.

  • Filani, Kunle (2005). Patterns of Culture in Virgin Yoruba Art. Nigeria: Symphony Books. ISBN .
  • Jegede, Dele (1984). "Patronage view change in Nigerian art". Nigeria Magazine (150). Lagos: 29–36.
  • Kennedy, Dungaree (1992).

    New Currents, Ancient Rivers: Contemporary African Artists in ingenious Generation of Change. Washington DC: Smithsonian Institution Press. ISBN .

  • National Drift of Modern Art, The Nucleus: A Catalogue of Works orders the National Collection on class Inception of the National Crowd of Modern Art (Lagos), Lagos: Federal Department of Culture, 1981
  • Oguntona, Toyin (1981).

    The Oshogbo workshops: A case study of nonformal art education in Nigeria. Ann Arbor: University of Wisconsin. OCLC 8839582.

  • Udechukwu, Obiora (1978). "Observations on say criticism in Nigeria". Nigeria Magazine (126/127). Lagos.